Clare Bucknell

It’s opening night at the nationwide Theatre. The radical journalist and manager Amma Bonsu, snubbed for many years because of the cultural establishment on her uncompromising work (FGM: The Musical; Cunning Stunts), is approximately to astonish audiences by having a brand new play. The Amazon that is last of has out of stock ahead of the run starts; it features 18th-century lesbian West African warriors, ‘thunderous armies of asking Amazons brandishing muskets and machetes/hollering and inflammation towards the audience’. Continue reading →